Editorial Freelance Jobs in Toronto, Ontario

Are you seeking freelance editing work in Toronto, Ontario? Look no farther for expert help. Geolance can assist you in obtaining the best possible remote editing employment opportunities.

Editor jobs cover anything from photo editing, video editing, and audio editing to content editing and copy editing. If you are a freelance editor looking for a new job in Canada, you can create job alerts and land a perfect job as a content editor, copy editor, or media editor.

Find Freelance Editor Jobs in Canada on Geolance

Geolance is a staffing platform that connects professionals with companies looking for hidden talent. As an editor, you can hop onto Geolance.com, enter the job type, and search for any open remote editing jobs in Canada. Just enter a keyword. For instance, copy, content, freelance, or media editor, enter the job type and search for your desired remote jobs in Canada.

Content marketing has been a popular form of marketing for some time now. As a result, many new freelance editors take remote content editing jobs to work from home and be their boss. The job of a freelance editor in Canada is to make sure that the content meets specific criteria and is ready to be published. For instance, as a freelance copy editor, your job is to improve the readability and language.

So whether you are looking for a remote editor job in the content marketing field or looking for a small editor job in graphics, you can create job alerts on Geolance and find your perfect remote editor job in Canada.

Need to Hire a Freelance Editor in Canada?

If you are a company looking for a remote editor in Canada, you can create job alerts on Geolance and find the ideal small editor for the job. Then, post the job on Geolance, and you will be able to connect with and hire your perfect editor in Toronto.

Receive proposals from talented editors in Canada. You can then negotiate the terms of the job, hire them for the editing jobs in Canada, and pay securely online with PayPal or credit card. Geolance is entirely free to use for companies!

Who hires freelance editors?

With Geolance, some of the top companies in Canada are looking to hire freelance editors. Popular industries for hiring freelance editors include marketing, technology, entertainment, social media content management, translation services & localization services.

Freelancing is more popular than ever before. And whether you are a freelance editor looking for your ideal remote job in Toronto or simply looking to hire a talented editor in Canada, you can create an account on Geolance today.

How much do freelance editors make?

According to the Canadian Government, the average hourly wage for a freelance editor is CAD 29.80. For more information about Geolance and how you can find your next remote job in Canada as a freelance media editor, audio/video editor, copy editor, or content editor, click here.

How do I get a job as an editor?

With Geolance, finding your next freelance editor job in Canada is simple. Just create a Geolance account, sign up for job alerts, and upload your resume. Start applying for remote editing jobs in Toronto today!

Editor Jobs in Canada

- Content Editor Job in Canada

- Copy Editor Job in Canada

- Freelancing Jobs For Editors In Canada

- Freelance Audio/Video Editor Job in Canada

- Freelancing Jobs For Editors In Toronto

How do I become a freelance proofreader?

Proofreading is an excellent way to get your foot in the door of the publishing world. When you begin looking for editorial freelance jobs, you will see that most require at least one to two years of experience as a proofreader or similar qualifications. However, for those without this much work experience, there are still opportunities out there waiting for you.

Typically, when people think of proofreading, they may imagine sitting down with a copy of War and Peace and reading every word, line by line by line...but this is not what editors mean when they say "proofread" (for fiction) or "copy edit" (for nonfiction.) While it's true that experienced book doctors will do this kind of detailed revision work on big books like this, it is not part of the proofreader's job--that falls under another job title: "substantive editor."

Well, what about when editors say they want you to read every line?

A typical workday for a freelance proofreader or copy-editor might involve reading and correcting text drawn from various sources. For example, the editor may ask you to compare and contrast two versions of an essay, making changes as needed in each one. They may also give you files collected from Internet research and ask that you flag any errors in spelling, grammar, punctuation or formatting within them. When revising documents like these (and tackling fiction manuscripts), it can help become familiar with Chicago Manual style guidelines and Associated Press guidelines.

Editorial proofreading entails more than just correcting errors in spelling and punctuation, though. The more significant part of your task will ensure that all writing is clear and consistent throughout a document. Copy editors may go line-by-line through an article, but they're looking for things like inconsistencies within a story--maybe one character said her puppy's name was "Bruno." Still, another referred to him as "Brutus." They would also note if a sentence read awkwardly or ambiguously, making it harder to understand what the writer was trying to convey.

How do I find a freelance editor?

This is the most frequent question I get. And it's not surprising. Editors know what they're doing, and editors are always in demand. So you would think that finding one of these jobs would be easy. But there's a little more to it than just picking up the phone and making an appointment with your local editor.

First, let me explain how I used to find jobs when I was still freelancing full-time (before starting Indie Freelance Editing ). These tips still work for me now that I run my own business; the only difference is that nowadays, some of them take more time because they involve marketing myself and looking for potential clients. But if you don't market yourself at all, you can still make a few tweaks and follow these strategies.

How I got jobs as an editorial freelancer:

1) Personal contacts were the easiest way to get work. Old-fashioned word of mouth was always my first choice, if possible. And by that, I mean personal contacts with editors at publishing houses. If you have a friend who works in a publisher's publicity or marketing department, ask her if she knows any editors looking for freelance help—or vice versa! You might need to have your resume on file with some publishers, so they know you're available when needed (you can often send your resume directly to the HR department rather than hiring a staffing agency). But again, this is another time when networking comes in handy. Just start in your backyard before you branch out to people in different cities.

2) Your author contacts are just as valuable! Keep up with all of the authors whose books you've edited, especially if they're still working on that series or have another novel coming up. You want to be their first pick when they get ready for another round of editing. Who knows where they'll end up next? If one goes big…well, you don't want to miss out on some possible high-profile new clients! This requires a little more work than simply keeping up with who's sending what to whom, but it's definitely worth the effort. Set aside some time at least once a week—and daily—to check your author contacts' websites and social media pages. I'll even go the extra mile and follow them on Twitter, so I can know when they have a new book coming out ASAP.

3) Blogs also come in handy, especially if you want to work for higher-profile publishing houses or agencies outside of your own country. Of course, not all publishers have a presence yet in the blogosphere, but many do! So it's only natural that some editors will post about what's going on with their company/agency here and there…and eventually mention somewhere that they're looking for freelance help.

4) Once your name gets around in social media, or you start earning some decent writing credits, more editors will come looking for you. This happened with most of my clients over time. As soon as they heard about my freelance editing services through another author friend or online blog post, they would recommend my services themselves on Facebook or Twitter so others could benefit from it! Of course, I also won quite a few editorial jobs through more traditional routes of sending a resume or asking for an interview, but that initial referral was always the best way to get my foot in the door.

5) Don't be afraid to "cold call" editors you don't already know! People who have never heard of me before might hesitate to email me on a whim because they've never called on me specifically, but once I explain what I do and why they should consider hiring me, most people are willing to take a chance. I've even been able to make contact with some higher-profile publishing houses—and offer them lower rates than their usual freelancers charge, too! Of course, they may not need someone right this very second, but it's worth sticking in their minds for when the next book project comes along. You never know when someone might recommend you or pass your name along to the right person!

6) Finally, it's also good to keep up with editors who are no longer in publishing. Sometimes they'll return to their former companies, and there will be an opening for a new freelancer…but even if that doesn't happen, these people can often recommend you for other editing jobs outside of publishing too. For example, I once worked with a prominent editor in children's lit—we only had one short-term project together. Still, she recommended me to a few publishers after telling her what else I was doing in publishing! So don't let everyone in publishing go out of your mind when they leave the field—you never know when they'll pop up again!